Megaton is a horrible mashup of "wild west" and "sneaky heist" music. The harmonica, banjo and guitar and the western vibe they give, I could deal with, since Fallout has quite a lot of a western vibe to it. But the bass line belongs in a movie scene where the "good guys" are sneaking around and gesturing across a room filled with lasers, while a security guard shines his torch around. All it needs is the sound of a baseball game playing on a distant TV in the security room and it would be complete.
Into the Wasteland sounds like attempt to recreate the blend of sweeping pad sounds and eastern melodies/instrumentation that make the Blade Runner soundtrack so awesome, but instead of all the unique character that the very electronic synths of Vangelis provide, it's got a fairly lifeless string dominant composition that doesn't have nearly enough of a sci-fi edge to it. To be blunt, it sounds like a decent imitation of Gothic 2's soundtrack, and the best parts of it sound like phrases directly transcribed from "Tales of the Future", "Damask Rose" or even the main titles from Blade Runner.
As for the main theme, it's been discussed to death.
All in all, it's better than I'd have expected if Soule was the composer, but I think it neatly sidesteps Fallout in favour of something fairly unspecific with too many familiar phrases.
How does it stack up to Zur's Fallout Tactics work? I've played an awful lot of FOT, but I don't think I've ever played the final version with music.
Into the Wasteland sounds like attempt to recreate the blend of sweeping pad sounds and eastern melodies/instrumentation that make the Blade Runner soundtrack so awesome, but instead of all the unique character that the very electronic synths of Vangelis provide, it's got a fairly lifeless string dominant composition that doesn't have nearly enough of a sci-fi edge to it. To be blunt, it sounds like a decent imitation of Gothic 2's soundtrack, and the best parts of it sound like phrases directly transcribed from "Tales of the Future", "Damask Rose" or even the main titles from Blade Runner.
As for the main theme, it's been discussed to death.
All in all, it's better than I'd have expected if Soule was the composer, but I think it neatly sidesteps Fallout in favour of something fairly unspecific with too many familiar phrases.
How does it stack up to Zur's Fallout Tactics work? I've played an awful lot of FOT, but I don't think I've ever played the final version with music.