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TorontoReign
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I saw a article in Pc Gamer about Stalker 2. It confused me because I thought they canceled it, then I see this on here. Now maybe I should play the first one.
The book is very atmospheric within the terms of post-apocalyptic feelings of hopelessness and such. The author of the book did a good job delivering these feelings of the protagonist to the reader, constant fear, doubt of the world which after the war turned to hell.Tagaziel said:I played the game first and since then I don't want to touch the book. I just can't. It's impossible, because I always have to think about the shitty game.
This statement got me confusedIt's not uncommon for devs who leave a company before the game is released to go uncredited, unfortunately.
What, you mean the dudes that made metro 2033 haven't gone bankrupt already?!Merchant said:I find it odd that GSC Game World does not have funds to develop a sequel to the series .. But on the other hand it pleases me to hear that Grygorovych is starting to experience problems because some time ago he criticized the developers of Metro 2033, stating that the game which they were creating is no match for his own S.T.A.L.K.E.R franchise, many of these people initially worked for him to make the original S.T.A.L.K.E.R.
Now we observe that it is he who has difficulties and not his former employees.
Kradath said:Because they left before even the first game was released.
ZeusComples said:Been curious before I start to play this series. Are all the games interlocked with a bigger story? If so, does CoP do a decent job at wrapping it up? Or is it one of those horrible cliffhanger endings. I'd hate to start a game only for it to suddenly end storywise. It's a main reason why I don't watch so many great tv shows that where cancelled in their prime. I hate unfinished stories.
Merchant said:So the whole post-apocalyptic setting was written professionally, but what i disliked about the book is the plagiarism. In the end of the book, the protagonist finally realizes that the Dark Ones never attempted to destroy the human race (the defenders of which were stubbornly killing the approaching Dark Ones from the Metro tunnels) they wanted peace and wanted to help. After this, the protagonist realizes that it is the human race which is blind in it's constant wrongdoings... In short, the end of the book suddenly reminded me of the novel "I am Legend" where the main hero finally realizes that in the eyes of his enemies, it is he who is a remnant of the past which is gone, and not them. Merely my own personal opinion, but i found this is as a kind of plagiarism in Metro 2033. Maybe i am too critical about this, but i do believe that a unique ending could have been written instead of a borrowed one.
Tagaziel said:Then what is so notable about them?
Crni Vuk said:I think metro is better then stalker in EVERY way. Because I prefer good story telling over artificial "free worlds". No seriously. Stalker was fun. But if you ask me the way how they present their stories and characters is pretty boring.
Lexx said:Crni Vuk said:I think metro is better then stalker in EVERY way. Because I prefer good story telling over artificial "free worlds". No seriously. Stalker was fun. But if you ask me the way how they present their stories and characters is pretty boring.
Am I the only one who thinks that the Metro game was 100% crap? They tried to press the story of the book into the game and the result was a linear scripted mess which railroaded you from A to Z with scripted sequences every 10 meters. Horrible shit. They could have done so much with it, but instead they had to go this way and fucked shit up. Plus, the ugly checkpoint save-system, which made me go rampage after a while.
As i said, this is purely my opinion which is also very abstract in my observation. If we begin gaining a deeper insight into the point of the book, then it is different, like you have said. But if judging vaguely, then the end of the novel ends in a sudden realization that humanity was the one to blame for the nuclear war in the first place and is now the one to blame for fearing the new world in which they are forced to live, the danger of destruction lies within the human being and not within the world which was forever changed by him. The protagonist gains awareness, that he was wrong all along, and not his so called foe (the Dark Ones), this is the ending conclusion both in Metro 2033 and in I am Legend (speaking very superficially). For me this is if not plagiarism, then at the very least a heavily borrowed main thought through which Metro 2033 ends, and it could have been written differently, without blistering feelings of epiphany.What? While they are similiar, they are different. You're accusing Glukhovsky of plagiarism, without noticing that I Am Legend and Metro 2033's endings differ not only in scale, but in meaning.
The exactly same idea is written in the beginning of Metro 2033. When Hunter arrives to VDNKh station, he and Artyoms adopted father begin discussing the current role of the human being in the world which apparently is no longer suitable for the human to live in. With a rather panicking tone, Artyoms father begins stating that new times are at hand, and that the last survivors of war are not a part of these times, they are no longer normal or accepted, the future belongs to these very "Dark Ones" which are trying to exterminate life in metro (from his words). So the idea which you have wrote about is also present in Metro 2033.I Am Legend is about human perception, perspective, the subjective nature of terms monster and normal. In the end, the protagonist dies, as he became a monster in the eyes of the dominant species.
Lexx said:Am I the only one who thinks that the Metro game was 100% crap?
Merchant said:As i said, this purely my opinion which is also very abstract in my observation. If we begin gaining a deeper insight into the point of the book, then it is different, like you have said. But if judging vaguely, then the end of the novel ends in a sudden realization that humanity was the one to blame for the nuclear war in the first place and is now the one to blame for fearing the new world in which they are forced to live, the danger of destruction lies within the human being and not within the world which was forever changed by him. The protagonist gains awareness, that he was wrong all along, and not his so called foe (the Dark Ones), this is the ending conclusion both in Metro 2033 and in I am Legend (speaking very superficially). For me this is if not plagiarism, then at the very least a heavily borrowed main thought through which Metro 2033 ends, and it could have been written differently, without blistering feelings of epiphany.What? While they are similiar, they are different. You're accusing Glukhovsky of plagiarism, without noticing that I Am Legend and Metro 2033's endings differ not only in scale, but in meaning.
I agree with you that my opinion is inconclusive, i really am attempting to compare a grain of salt to a grain of sand, this isn't right, but this is just what i feel like. The last ideas written in Metro 2033 and in I am Legend share a similarity, i disliked that, it's all i can say.
The exactly same idea is written in the beginning of Metro 2033. When Hunter arrives to VDNKh station, he and Artyoms adopted father begin discussing the current role of the human being in the world which apparently is no longer suitable for the human to live in. With a rather panicking tone, Artyoms father begins stating that new times are at hand, and that the last survivors of war are not a part of these times, they are no longer normal or accepted, the future belongs to these very "Dark Ones" which are trying to exterminate life in metro (from his words). So the idea which you have wrote about is also present in Metro 2033.I Am Legend is about human perception, perspective, the subjective nature of terms monster and normal. In the end, the protagonist dies, as he became a monster in the eyes of the dominant species.